barnjae.blogg.se

Jay jayanti bengali movie
Jay jayanti bengali movie










Manobendra Mukherjee was sublime in Chabi Biswas’s film Badhu. Sandhya Mukherjee’s song “bak bak bakum bakum paira”. In Mayamrigo he composed the songs “metidiamericar kabyo”, “bidhi re” with elegance. In that film his own song “shibo he shibo he” surprised the viewers with Mahadev’s Gajan. He started his career with Uttam Kumar’s film Chapadangar Bau. Manobendra Mukherjee was a sensation in the world of Bengali film music. Manobendra Mukherjee gave folk tune to Tarun Banerjee in the song “champakoli go koto name dekechi tomay”. Manobendra gave melodious tune to Shefali Chakravarty titled “kemone janabo bolo e pranero bedona” having both classical and romantic tune. Manobendra Mukherjee’s composition for Alpona Banerjee titled “mon bolche sandhay kichu bolte tumi aasbe ki” and “tumi sundor bole tai to bondhu”, created sensation in the 60s. His landmark composition for Supriti Ghosh titled “gane gane ami je khuji tomay”, composition for Bani Ghoshal titled “kuasha ghera nil pahare” created sensation in the 50s. His composition in films like Chapadangar Bou in 1954, Sanjher Pradeep in 1955, Mayamrigo in 1960, Bodhu in 1962, Godhuli Belai in 1966, Joy Jayanti in 1970, created by that period of time.īut Manobendra Mukherjee’s composition for other leading singers of Bengal, both male and female, created sensation in the 50s, 60s and 70s. Some of them had classical appeal including “na jeona modhu jamini”, “ei moshumi mon”, “sangi bihongi tumi je amar”, etc. In the 60s, Manobendra Mukherjee continued with his majestic tunes most of which did great business in Bengal. The lyrics of Shyamal Gupta took the listeners to a different world of plutonic love. Most of these songs stand out as the most romantic songs in the entire history of Bengali modern songs. The romantic songs composed by him included “emni kore porbe mone baki jibon dhore”, “ami eto je tomay bhalobesechi”, “koto asha niye tumi esechile”, etc. Manobendra’s composition for himself in the 50s was unique. The entire 50s, 60s and 70s was designated as the golden age of Bengali modern songs and Manobendra Mukherjee’s individual performance as vocal classical singer require no special introduction.īut his contribution as composer requires to be highlighted.

jay jayanti bengali movie

Manobendra Mukherjee had glorified the world of Bengali classical music for more than 35 years.

jay jayanti bengali movie

Manobendra Mukherjee compositions in Bengali films and modern songs.












Jay jayanti bengali movie